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My Heart Is Made Of Gravy
Drawing songs, sawing drongs
Saturday, September 09, 2006
"Can you treat it like an oil-well when it's underground, out of sight?" (Pavement)
"And if the sight is just a whore sign
Can it make enough sense to me? "
In The Mouth A Desert
, Pavement
"Hard to choose from all the riches of the Slanted and Enchanted album. Am a massive believer in all of it though. I believe in a voice that squeaks for a generation of fragile and pissed-off flaneurs. I believe in cheap, scuzzy, squiggly guitars zipping around like pollocky streaks of strop. I believe in false starts (cf. 'Loretta's Scars'). I believe in the falsetto gibberish of a melodic bonbon: all those lovely woo-woo-woos ('In The Mouth A Desert') and sha-la-la-las ('Trigger Cut'). I believe in snazzy tunes that grow on you after the third (or fourth, or fifth) listen. But I also believe in a certain amount of deranged howling (cf. 'Conduit For Sale', and the neurotic 'Chesley's Little Wrists'). I believe in titles that have (seemingly) nothing to do with the songs they're appended to. I believe in dippy, fleshwound lyrics that make more sense than senescence. I believe in the lackadaisical (at least as an idea). I believe in the effortless, induplicate coil of fiddle-faddle. I believe in drummers who are more interested in standing on their heads and serving french toast to their fans than snapping their snares (cf. Gary Young). I believe in combining West Coast serenity with East Coast sarcasm: 'I'm the only one who laughs/At your jokes when they are so bad/And your jokes are always bad...' I believe in the soul as part of the whole megillah, off the cuff, but swift as a kissing bug: 'I've got one-only life to live/I've got one-only life to give.' I believe in beginnings that that are also endings and vice-versa ('Everything's ending here', sings Malkmus on the ninth track, when in fact, if rumours are to be believed, three albums later, everything's ending here. Wherever that is. ) I believe in cool Italians. Not cool as in de rigueur Rigid-Cool (all Armani shades and slicked back pubes), but cool as in Claudio Galuzzi Cool, my first Musical Guru, who in 1992 who sold me this album from his little shop in Casalpusterlengo saying it would 'shake my cack, kedgeree constellations' (you lose something in translation). And it did. It made me a believer. Believe me."
For Steve (29 and 3/4 years old).
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Why?
My Heart Is Made of Gravy is an illustrated blog I worked on from Sunday 5 June 2005 (my birthdayte) to Monday 4 June 2007.
The idea was to draw my favourite songs and my favourite people's favourite songs.
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"I'm over the ocean, over the hills, over the dell...
Let's Make Love and Listen to Death From Above (Ca...
Music sounds better on grass
Don't Be Afraid, You Have Just Got Your Eyes Closed
"They tell us "autumn's a-comin', and soon everyth...
"How bad, how good does it need to get?"Change, Tr...
"If you knew that you would die today, saw the fac...
"Punks in the beerlight, two burnouts in love." (S...
Diventa Blu (Arizona)
"I like you mostly late at night" (Life Without Bu...
Super Shine (Boredoms)
"What a drag it is, the shape I'm in" (Razorlight)
"I'm not happy when I try to fake it." (Lionel Ric...
"You're on the bottom." (Bob Dylan)
"Nothing's gonna change this painted frown." (The ...
"People say she looks like a cow. Let them laugh, ...
"Can you treat it like an oil-well when it's under...
"Come on over baby and I'll make you obscene." (AC...
Pull Peep (Mortimaz)
"Never for money, always for love." (Talking Heads)
"This is the end of the summer." (The Young Knives)
Collided with the sign, you're staring at the sun ...
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